After the Hunt Review: Julia Roberts, Andrew Garfield, and Ayo Edebiri Explore Sexual Politics
Director Luca Guadagnino continues to delve into how desire and love distort our perceptions of the world and one another with his recent films Challengers, Queer, and now After the Hunt. In Challengers, Guadagnino depicted a complex love triangle so intricate that Zendaya, the lead actress, urged viewers to watch the film twice to fully grasp the character dynamics.
In Queer, Daniel Craig portrayed an obsessive and often pitiful character, fixated on a younger man who could not reciprocate such intense devotion. After the Hunt shifts away from the chaos of a tennis tournament or the intensity of an ayahuasca experience, focusing instead on a pyramid of longing marked by resentment rather than a typical love triangle.
“With Challengers, Guadagnino presented a love triangle so twisted that leading lady Zendaya insisted audiences needed to see the movie twice to get a proper feel for all the character dynamics.”
“Now, with After the Hunt, there’s no need for the rush of a tennis championship or the frenzy of an ayahuasca trip to crank up the pressure on the central characters, who are less a love triangle and more a pyramid of longing, etched with resentment.”
Despite these thematic ambitions, After the Hunt received mixed to negative reactions after its world premiere at the 82nd Venice International Film Festival in August. On Rotten Tomatoes, it holds a 49% rating, marking the lowest score for any film directed by Guadagnino so far.
Key Points
- Luca Guadagnino explores complex human desires and relationships across his recent films.
- After the Hunt focuses on a triangular longing marked by resentment, different from typical love stories.
- The film premiered at Venice Film Festival and received mixed to negative reviews.
- It currently has a 49% rating on Rotten Tomatoes—the lowest for Guadagnino’s works.
Summary: Luca Guadagnino’s After the Hunt examines intense emotional dynamics through a unique pyramid of longing, but it earned mixed reviews and is his lowest-rated film on Rotten Tomatoes.
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